Tom Hanks is in top form as the by-the-books treasury agent on his tail, but the M.V.P. DiCaprio’s Abagnale is a born swindler, masquerading as a doctor, lawyer and airline pilot while kiting checks across the country the actor’s sensitive portrayal captures gee-whiz likability that made him so successful, while subtly conveying the pain underneath. (which may, itself, have been fabricated). Leonardo DiCaprio’s apparent agelessness is one of his most fascinating features - we all still think of him as a matinee heartthrob, even in middle age - and Steven Spielberg puts it to fine use in this dashing 2002 comedy-drama, based on the memoir of the con artist and fabulist Frank Abagnale Jr. But the stakes are low and the games are silly the show exists primarily as a vehicle for his unique sensibility and wit. “Billy on the Street” is, on paper at least, a game show he and his celebrity guests offer passers-by the opportunity to win cash and prizes for answering questions and participating in their reindeer games.
Eichner is an unabashedly 21st century personality, which makes it especially amusing that he is best known for the “man on the street” interview - a comedic device that stretches back to Steve Allen and the earliest days of television comedy. A frenzied, impatient pop culture connoisseur, he is quick with a quip and so sly with his insults that they often fly past their targets. 31)įew contemporary comedians have a persona as distinctive as Billy Eichner’s.
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Here are some of the highlights selected by The Times’s TV critics: Television this year offered ingenuity, humor, defiance and hope. But Verbinski also doesn’t alienate the target audience: Kids will likewise delight in this visually inventive and frequently funny treat. Thompson in “Fear and Loathing in Las Vegas,” even throwing in visual and verbal nods to that very R-rated adaptation. And he apparently instructed his leading man, Johnny Depp, to voice the role as a riff on his turn as Hunter S. First, he constructs it as a kiddie “Chinatown,” with our hero stumbling into a Western town where the battle over water rights is getting ugly. But few have done it as unapologetically (and successfully) as the “Pirates of the Caribbean” director Gore Verbinski, who livens up this story of a desert lizard’s adventure in several surprising ways. Plenty of filmmakers have livened up family movies by sliding in winking gags and pop culture references for the grown-ups. Wheatley finds ingenious variations throughout, keeping the action energetic and fresh, while his first-rate cast (including Armie Hammer, Brie Larson, Cillian Murphy and Jack Reynor), resplendent in ’70s duds, squeeze in as much characterization as they can between shots. This action extravaganza from the writer and director Ben Wheatley (“Kill List”) is essentially a feature-length gunfight, in which various parties assemble in an isolated warehouse for a gun buy before turning on one another.
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But if you do love shoot-outs, or if you love inventive gunplay and threatening gun-cocking and artful reloads and the films of John Woo, boy is this the movie for you. If you don’t like shootouts, then move along, nothing to see here.
(Dates reflect the final day a title is available.) ‘Free Fire’ (Oct. This month, subscribers to Netflix in the United States will have one more chance to watch an uproariously funny game show, a beloved girl-power comedy, a family film that adults may love more than kids and two wild cult comedies.Īll of those, along with some good stuff from Steven Spielberg and Oliver Stone, are among the best films and TV shows leaving Netflix in October.
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